CinEffect Podcast Episode 2 - The Master, VHS, and Spec-Ops: The Line

Episode 2: The Master, V/H/S, and Spec-Ops: The Line

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Long hiatus aside, we finally come back to look at Paul Thomas Anderson's much hyped The Master and analyze it's many dense themes and concepts. Along the way, we also channel surf through the horror anthology V/H/S, debate the moral ambiguity of Spec-Ops: The Line, and take a brief look at the charming downloadable Steam title Tiny & Big, which features magical underwear. Also: Chris's weird story about a double feature gone horribly wrong.

The Master Movie Review

[The Master
Written & Directed by Paul Thomas Anderson
Starring: Joaquin Phoenix, Phillip Seymour Hofman, and Amy Adams
MPAA: R - For Sexual Content, Graphic Nudity and Language] 

The Paul Thomas Anderson Retrospective Part 5: There Will Be Blood

The Paul Thoms Anderson Retrospective concludes! Last time, I splurged about the stream-of-consciousness filmmaking techniques employed in Punch-Drunk Love. Now, we'll see Anderson, once again, going on a wildly different direction with his period-piece about oil tycoon Daniel Plainview: There Will Be Blood.

There will be spoilers in this There Will Be Blood analysis (heh), and I will go into some detail on the film's wild finale, so it's better suited if you've already seen the film (Which you should). If you haven't read the previous three installments of the retrospectives, you can do so by clicking these links for Part 1, Part 2, Part 3, and Part 4.

Also, a variety of clips will be employed, so be sure to have a good connection to see them all. And fair warning to the squeamish: There is some violence in one of the clips. It's off-screen, yet somehow remains brutal due to the sound-effects and the terrifying look on Daniel Day-Lewis's face.

With all that being said, let's drink some milkshakes as we dive right into There Will Be Blood.

The Paul Thomas Anderson Retrospective Part 4: Punch-Drunk Love

The Paul Thomas Anderson Retrospective continues! Last time, we looked at the interlinking narratives that connected in Magnolia, Paul Thomas Anderson's biggest, most ambitious film. Today, though, we'll see him scale back to make the quirky, surrealist "rom-com" (If you can call it that) Punch-Drunk Love.

As usual, there will be spoilers in this analysis. Nothing major, like in the Magnolia and Boogie Nights pieces, but it's still recommended that you see the film first. So if you haven't seen it yet, you can easily do so because it's the only Paul Thoms Anderson movie that's on Netflix Instant Watch, as of this writing. If you haven't read the previous three installments of the retrospectives, you can do so by clicking these links for Part 1, Part 2, and Part 3.

Also, much like the last installment, I'm going to be employing several clips as examples for the filmmaking techniques that Anderson uses throughout the film, so make sure your connection is good enough to be buffering plenty of videos. Plus, some of the clips contain some strong language, so if that's not your thing, you've been warned.

With all that being said, let's buy some pudding and take a closer look at Punch-Drunk Love.

The Paul Thomas Anderson Retrospective Part 3: Magnolia

The Paul Thomas Anderson Retrospective continues! Last time, we took a look at the film that put Paul Thomas Anderson on the map: the ambitious, epicly scoped Boogie Nights. Today, however, we see Anderson pushing the limits of ambition AND scope in his follow-up piece, 1999's Magnolia.

If you hadn't read the previous two installments of the Retrospective, I suggest clicking these links for Part 1 and Part 2. Plus, it must be made absolutely clear that it's impossible to discuss Magnolia without getting into serious detail on the character arcs and the insane finale. So be warned: There are major, MAJOR spoilers.

Also, unlike most of my retrospectives, instead of just showing a bunch of pictures from the movie, I'm going to be employing clips from the film. So make sure your internet connection is good enough to buffer some YouTube videos, if you want the full experience. Not required, but definitely a plus!

With that being said, it's time to analyze the web of coincidences that is Magnolia.

The Paul Thomas Anderson Retrospective Part 2: Boogie Nights

The Paul Thomas Anderson Retrospective continues! Last time, we took a look at Anderson's debut feature, Hard Eight (or Sydney, in some circles). Today, however, we're going to examine the film that put Paul Thomas Anderson on the map: the landmark Boogie Nights.

If you missed Part 1, you can read it here. Also keep in mind that while I managed to keep away from spoilers for my Hard Eight discussion, I will most definitely be spoiling a lot of the best scenes in Boogie Nights. You've been warned.

With that being said, it's time to get hard for Paul Thomas Anderson's look at the porn-industry of the '70s, Boogie Nights.

Chris' Top 10 Most Anticipated Films of 2012

As is yearly tradition, January offers almost nothing of any significant note in the theatrical release landscape. And as such, all we movie-buffs are left to do is wait in masturbatory fury for the next big movies to pop out of the moist, quivery, studio-executive-sponsored womb. And that's exactly what I'm doing in this article; minus the moist, quivery wombs. Enjoy this little look at my 10 most anticipated films of 2012, and I swear if you tell me that a Roland Emmerich film should've been on here, I'll sue you simply for not being funny or clever at all.

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